tempus fugit : time flies
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By 1780, the East India Company had transformed Calcutta into a small English city. Musicians travelled from London to India, bringing the music of Corelli and Handel with them. British residents played their harpsichords with local groups of Indian classical musicians, and attempted to transcribe Indian music into European notation.
Explore music from the streets and soirées of a young Calcutta, where performers wound melodies from many cultures into their own traditions. Ensemble Tempus Fugit melds this unusual combination of period music and Indian song with shadow puppetry, dance and drama to tell a story of a traveller making his way to the musical heart of the City of Palaces.
Repertoire includes music by Playford, Purcell, and Locke; music for sitar and voice; period transcriptions of Hindustani and Bengali songs.
Hugh Cutting, counter-tenor
Debipriya Sircar, Indian classical vocalist
Jamie Akers, lutes
Emily Baines, early winds
George Clifford, Baroque violin
Jacob Garside, bass viol
Katie De La Matter, harpsichord & creative direction
and Jonathan Mayer, sitar
Lina Petersson, movement direction & puppeteer
Zulaiha Sheikh, actor & puppeteer
Sean Garratt, puppeteer
Puppets by Lori Hopkins & Amy Rowe
Lighting Design by Carey Chomsoonthorn
Stage direction by Thomas Guthrie (baritone & puppeteer)
Adapted from an original script by Cheska Bridge by Thomas Guthrie
the calcutta revival tour: origins
From our base in London, we experiment with removing the barriers between performer, audience, art form, culture - and blending different senses. How can we amplify this amazing historical music? How can we build performances of music written before 1750 as bridges to brand-new experiences? How can we reach as many people as we can?
Questions like these led us to make Calcutta, a unique theatrical show exploring period crossover between European Baroque & Indian Classical musicians in the 18th century.
After years of preparation, we revived and reinvented this show for a tour: we took an amazing cast and band to perform at the Brighton Early Music Festival on 5 November 2017, did a successful run at Tara Arts, a multicultural theatre in London, in April 2018, and took part in Brighton Refugee Week on 21 June! August brought a sold-out show in Wilton's Music Hall, followed by a debut at Leeds 2018 Opera Festival.
Birmingham’s Ex Cathedra kindly invited us to take it to Birmingham Town Hall in 2020. After being delayed for 2 years by Covid, we can’t wait to show you this brand-new adaptation by director Thomas Guthrie!
We can’t do any of this without your support.
Add your voice by donating below. Join us!
what's the history behind the project?
We created Calcutta for the Brighton Early Music Festival's 'BREMF Live Scheme'. Our research led us to the stories of two women married to East India Company officers in the 18th century: Margaret Fowkes invited local Indian classical musicians into her front room to jam, and Sophia Plowden, who invited a European musician to write down some of the Indian tunes they played.
This should not have worked — not easily, at any rate. European and Indian Classical music are totally different musical languages. And yet it did.
That caught our imaginations. We were inspired by this early crossover between musicians, who - for a moment - were exploring blending traditions with an equal curiosity, despite the colonial context.
So we created a story of a journey, to link these different musics and histories together. We brought in puppeteers to help us travel over the sea. And we wove it through with our experiments with these jam session tunes, as well as crossover in the other direction (the song in our video is a British folksong set in Sanskrit in the late 18th century).
We won sponsorship from the Arts Council in 2009, and the end result was two beautiful sold-out evenings, including one in the vast ornate space of St. Bartholomew's Church in Brighton. We were really excited to be booked there again, as well as in Tara Arts, which puts on outstanding multicultural theatre in west London, and Wilton’s Music Hall. We then revived and respun Calcutta into an all-new adaptation that we brought to Birmingham Town Hall, thanks to the support and generosity of Jeffrey Skidmore and Ex Cathedra.
what else we've been up to...
past programmes
Oonagh Lee, Baroque oboe & recorders
Jakab Kaufmann, Baroque bassoon
Alex McCartney, Baroque guitar & theorbo
Katie De La Matter, harpsichord
Not one to fall out of touch, Telemann kept up with his old school chum Fasch, his godson C.P.E Bach, and traded letters and presents with Handel throughout his life: listen in as all four correspondents finally meet in a concert of rarely-performed music for winds from Handel’s distant homeland.
Fenton House, London — SOLD OUT
& St. Michael's Battersea
A cosmopolitan collection of the music, songs, and dances found in the courts and homes of seventeenth-century England, all underpinning the story of a mod prince and his court of rocker musicians made for the pubs of Brighton.
Arbeau: Belle qui tiens ma vie
Zanetti: Pavaniglia
Caroso: Villanella
Locke: Suite from Musick for Severall Friends
Campion: ‘Beauty since you so much desire,’ ‘Come you pretty false-ey’d wanton’
Praetorius: Branle de la Torche
Caroso: Cascarda chiara stella
Purcell: ‘Take not a woman’s anger ill’
Playford: ‘Mr. Beveridge’s Ground,’ ‘Mr. Beveridge’s Maggot,’ ‘Emperor of the Moon,’ and an Irish adaptation of ‘Stingo’